Before I sew this one together, I thought I would photograph the pages.
The paper is black hemp, and what looks like paint on the pages is actually fusible webbing (Wonder-Under by Pellon) which has been painted, then cut into shapes and fused to the paper.
Because my stitching is visible on both sides, I planned (loosely) each fused shape so that the stitching would make some sort of sense, front or back. I do use the term "make sense" in the very loosest manner. Let's just say it had to make sense to me. Below is a group of pages in sequence so you can see the fronts and backs:
And another group:
The book will be sewn over tapes. The tapes will be some crazy cord made from spun silk ravellings from Nepal. And when it is finished, I will take a more formal portrait, I promise.
-- And if anyone wants to know a bit more about painting fusible webbing, let me know. It's an interesting technique, and I'm happy to share.
The paper is black hemp, and what looks like paint on the pages is actually fusible webbing (Wonder-Under by Pellon) which has been painted, then cut into shapes and fused to the paper.
Because my stitching is visible on both sides, I planned (loosely) each fused shape so that the stitching would make some sort of sense, front or back. I do use the term "make sense" in the very loosest manner. Let's just say it had to make sense to me. Below is a group of pages in sequence so you can see the fronts and backs:
And another group:
The book will be sewn over tapes. The tapes will be some crazy cord made from spun silk ravellings from Nepal. And when it is finished, I will take a more formal portrait, I promise.
-- And if anyone wants to know a bit more about painting fusible webbing, let me know. It's an interesting technique, and I'm happy to share.
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